Jean Hirons, Affiliate

Jean Hirons works exclusively in the beautiful medium of soft pastel. She is a teacher of the medium and the author of Finding Your Style in Pastel, her highly acclaimed self-published book on all things ‘pastel.’ Hirons is a signature member of the Pastel Society of America and a Master Circle member of the International Association of Pastel Societies.

Poplar en Perigord 2 by Jean Hirons

A native of New England, Hirons paints landscapes, many of which include houses, boats or barns. Recently she has created a series of paintings called The Insider’s Washington, which focuses on the beautiful, but less touristy, places in Washington, DC, such as the C&O Canal in Georgetown and the alleys of Capitol Hill. Hirons also paints pure landscapes from New England, the Mid Atlantic and her many travels.

www.jeanhirons.com

301-340-3198

Jeanhirons48@gmail.com

Christina Murray A&M1

Christina Murray is an abstract mixed-media artist, who recently turned her passions of painting and collage-making into a full-time gig after fifteen years of working toward eliminating violence against women and girls, teaching and coaching women.  

Christina approaches most of her paintings intuitively, meaning without an end goal in mind.  She begins a painting by layering her canvas or paper with acrylic paints, collage (papers, acrylic skins), inks, charcoal, colored pencils and crayon (watercolor, oil pastel, wax).  She does this until she sees something she likes (usually a color or line), then adds more of it.  Over time the painting is slowly revealed.

Christina enjoys the juxtaposition of neatness (in color or line) with the more quietly messy areas.  She wants to the viewer to catch tiny glimpses at the layers underneath, and wonder about the painting that was there before.

Christina has exhibited in many Northern Virginia galleries, most recently at the Art League in Alexandria, Virginia where she was awarded an Honorable Mention.  She is a member of the Art League, Falls Church Arts, McLean Arts Society, Maryland Federation of the Arts, Del Ray Artisans, and McLean Project for the Arts. 

ChristinaMurrayArt.com

cmurray8@gmail.com

Brian Fisher A&M1

Brian Fisher’s art combines the rich history of master painters with evocative memories of a working class childhood.

Brian was born and raised in Seattle Washington.  He began his art studies at North Seattle Community College, which had, at the time, one of the few Associate degrees in Fine Art in the country.  After finishing that degree, Brian transferred to the University of Washington where he earned his Bachelor’s of Fine Arts in Painting. 

After graduation he moved across the country to Bethesda, Maryland, where he enjoys the rich art bounty within the many museums of Washington DC, New York and Boston.

Brian’s portraits and paintings hang in private residences in multiple states and localities.

Brian-Fisher.net

Pauline Jakobsberg A&M1

“Family history is the driving force behind much of my art which is layered with powerful undercurrents of connection, loss and renewal, as well as tenderness, humor and humanity.  I avail the full richness of print media to construct poignant narratives aware of my inability to fully grasp the past as I turn history into a visual reality.  While my clothing images are visually fun, many of my prints are quiet, reflective and intimate, confronting the highly charged subjects of personal and cultural memory to please the eye and feed both the soul and mind.”

The hand pulled print has been Pauline Jakobsberg’s method of expression for the past 35 years.  She co-founded the Washington Printmakers Gallery in 1985 and founded the Graphic Workshop, a printmaker’s studio that existed in Silver Spring until 2016.

Pauline’s works are in several private collections around the world and have been widely exhibited in the US and Europe, including two solo exhibitions in the Czech Republic. Her most recent, in 2015, was at the Houston Holocaust Museum where she trained 100 docents prior to her reception.

Pauline gets invited to speak to 5th through 7th graders in public and private schools, introducing WWII and the Holocaust into their history studies. She has also served on college panel discussions, and lectured at adult education programs.

In 2016, she was chosen among eight artists in the Washington, DC area to have her work permanently documented in the ArtCart, Saving the Legacy Archives of Columbia University in NYC.  Several of the works were recently shown at the Katzen Museum.

Pauline lives in the Maryland suburbs of Washington, DC.

PaulineJakobsberg.com

Kathy Moore Wilson, Lifetime Affiliate

I love to draw more than just about anything, and I draw and paint nearly every day.  I have been drawing since I could hold a pencil, but it took me years before I considered doing it full time.  In my upbringing and education, it was more of a pastime or hobby, but not a stable profession.  I started my professional career as a cartographer.  It took a long time to evolve from cartographer, to fine artist and illustrator, graphic designer, and then animator.  But the artist in me would not be contained and found a way out.
I started out by drawing maps, using traditional tools such as pen & ink. I later moved on to colored pencils and paint.  I found I had a special love for drawing portraits of children and animals.  These are the subjects I draw and paint the most.

Over the years I began to learn to use a camera, and software such as Adobe Photoshop and Corel Painter to create drawings and paintings.  I then learned Adobe After Effects and Adobe Premiere to create animations and videos to make my drawings move.  This eventually led to my going back to school and earning a Master’s Degree in Motion Media Design.

I have been greatly influenced by children’s book illustrators, particularly when the illustrations are rendered in pen and ink, or black and white pencil.

Chris Van Allsburg, Brian Selznick, and Brett Helquist are three of my favorite illustrators.

The painters who have influenced me are too numerous to list.  I will always love all of the French Impressionists, but Mary Cassatt will always be my favorite.  I love how she took simple domestic scenes and managed to show the wonder and contentment in the everyday.

I love Andrew Wyeth for his emotional, limited palette watercolors, and the illustrator and painter Alan Lee for his pencil, pen & ink, and watercolor forest imagery.  I am also inspired by Edward Hopper for his use of color and light and for also for his ability to capture emotion and to tell a story with everyday scenes.

There are many animators who I admire: Brad Bird, John Lasseter, Glen Keane, Chuck Jones, Joanna Quinn, Ollie Johnston and Frank Thomas.  Their stories are flooded with emotion and feeling, and their characters are very real to us.  These fine directors, producers and artists all motivated me to first dip my toe in the world of animation and video, as well as simply inspiring me to be a better artist.

It is important that to me that I express emotion and tell stories and teach with my art.  If I can get an emotional response, then I feel that the art I have created has fulfilled its purpose.

Creating art brings me joy.

Boris Lermontov: Why do you want to dance? [Vicky thinks for a short while]
Victoria Page: Why do you want to live? [Lermontov is surprised at the answer]
Boris Lermontov: Well I don’t know exactly why, er, but I must.
Victoria Page: That’s my answer too.
—From “The Red Shoes”

pendragonartstudios.com

Cathy Hirsh A&M1

Cathy Hirsh is an artist who likes to experiment with media techniques to achieve visual impact.  Media used might be watercolor, oil, acrylic, gouache, or a variety of mixed media, and her subject matter might be landscape, floral or abstract. She paints on location and also in her studio—studio #41 at Artists and Makers Studios (A&M) Parklawn.

Her award-winning work can be found on multiple websites, in Washington-area gallery and display venues, and at periodic solo and group shows.  Her work has appeared at Brookside Gardens, Strathmore Hall, the Blackrock Center for the Arts, the Yellow Barn at Glen Echo, and the Delaplaine in Frederick to name a few.

She is also a teacher, providing art workshops and classes in her studio.  As a Master Gardener, she speaks to garden groups on art concepts related to garden design.

Active within the artist community, she is a past president of the Montgomery Art Association (MAA), led the MAA Gallery at the Westfield Wheaton mall for its 6-year existence, and is currently leading the group of artists participating in Gallery 209.  She is also the current Curator for the A&M Guest Artist Gallery at Parklawn.

About her work, Hirsh says, “sometimes it is just magical—the piece seems to “happen,” capturing what I’ve imagined.  Other times, it can be a real struggle whether it’s because of the subject, a new technique, or simply being outside fighting the weather and insects!  Whatever, it is an exciting journey.”

She hopes viewers find themselves excited and intrigued by her work.  Firmly in the belief that all can find their own unique artistic voice, she invites her viewers to begin a journey of their own by taking her classes.

www.HirshStudio.com    CathyHirshArtist@gmail.com

  

Phyllis Gordon A&M1

With silk as her canvas, Phyllis Gordon creates hand painted, one of a kind scarves, scrolls and framed art. 

Working mostly from her own photographs, combining her love for color and fabric, Phyllis finds silk painting addictive and exciting.  The lustrous silk brings an added dimension that goes beyond paper or canvas.

Phyllis studied drawing, oil painting and watercolor for many years before turning her focus in 1996 to painting on silk – a most unpredictable canvas.  

She has studied with nationally respected silk artists Susan Louise Moyer, Karen Sistek, Natasha Foucault, Suzanne Punch and others at numerous conferences and workshops and has exhibited in juried venues and galleries in the North East and Mid-Atlantic.  Phyllis was juried into the Silk Painters International exhibit, “Asian Art, Botanicals on Silk” at the U.S. National Arboretum in Washington, DC.  

After many years in Massachusetts, Phyllis and her husband retired to Maryland in 2011, where she continues to explore her art while enjoying time with her family and grandchildren.

 

Phyllis Gordon 

designsonsilk@me.com 

designsonsilk.com 

Katherine Janus Kahn A&M1

In the three decades that I have been maintaining a studio and making serious art, I have found myself doing many different things inKatherine Janus Kahn 5x10 72dpi many different media.  But as my studios have become smaller, I find that space is a powerful informer of the things artists make. 

Natural processes of development and changes in interests (themes) are the other main vehicles of change.  I am, like the proverbial caterpillar/butterfly, transforming once again.

I will be working on smaller paintings, but still on modular drawings.  I have always been a figurative artist; I will continue with the figure.  I am sometimes driven by “global politics”.    If and when I need to respond to that, I will do so.

Several years ago, I started confronting the aging process.  For my 65th birthday, I started working on a series of 65 self-portraits.  I suspect that work will be at least part of my continuing focus.

I am showing four very different images.  The first two I deem political: “Cain and Abel: The Assassination of Rabin”, from 1996, and an installation in response to 2001 called “When Mothers are Missiles and Babies are Bombs”.  The others are later portraits:  a self-portrait called:  “Katherine the Great” and a very recent drawing called “Now/Then”.

If you don’t see me working in the studio five days a week, it will be because of my other “art”,  illustrating children’s books, which I do in a home studio.  With over 50 published books, and two presently in the works, there are sometimes deadlines that keep me focused there.

www.katherinejanuskahn.com

Richard Svec A&M1

Richard Svec worked for five decades in the Graphic Arts industry.  After retirement, an affinity for fine arts, in particular the Impressionists, began to emerge.  That matured into his own interest in learning how to draw and paint.

For the past four years, Svec has studied with numerous local artists.  In 2013, he began a three-year certificate program offered by The Compass Atelier.  His work has improved greatly and he is now at a point where he is taking his “second career” more seriously.

In his new space at Artists & Makers Studios, Richard continues his artistic study at The Compass Atelier, and looks forward to honing his artistic voice.

svecart.com

Maralyn Alpert A&M1

I believe an artist is a kind of magician, bringing the unseen into the tangible world. With a bit of color, piece of paper, canvas, brush, pencil or scissors, there are ways to transport the viewer somewhere else. The creation is born solely in the mind, the eye, and the hands of the artist. As an artist, my goal is to capture the emotional energy of the environment surrounding us. Portraying the atmosphere and movement of a scene through color, light and shadow engages the viewer in the artistic experience itself. 

My main love is capturing the beauty of the natural world but cityscapes and man-made places also fascinate me. I enjoy working in different mediums. I use watercolors, acrylics and fiber to create my art.

Currently, I am studying oil painting in the Master Artist Program at The Compass Atelier at Artists and Makers Studios in Rockville, MD.

maralynalpertfineart.com

Johnnie Gins, Lifetime Affiliate

Johnnie Gins works in silver, gold and copper to create wearable art from jewelry to metal purses, mezzuzahs and playful tableware. She collaborates with glassmakers and other artisans to add more color, depth and texture to her pieces. Her objective is to capture small shifts in the landscape that occur on a daily basis. Her solid craftsmanship and unique designs make her work instantaneously recognizable.

Leslie Kraff A&M1

Leslie Kraff was born with a crayon in her hand and an insatiable desire to observe and record everything she saw. Leslie Kraff Flowers Page Image 7x9 72dpi

“Everyday life is riveting to me.  I feel it is important to be aware of the daily vignettes that weave their threads throughout the fabric of our lives.  They become a large part of our life stories. When I put a frame on a painting, it is as if that instant is forever bracketed.  No other moment will be exactly like it.”

Leslie has had several other careers including stints as a high school French teacher and a clinical social worker.  Her journey continues with paint, winning ribbons along the way. 

Leslie’s current work explores mood, color and form as expressed in the natural world.

LeslieKraffStudio.com

Norma Schwartz A&M1

Norma Schwartz, born in Argentina a few months before the end of World War II, began practice as a psychoanalyst, started a family and was involved in social and political issues during a harsh dictatorship. 

She emigrated to Spain, where the hope for a new democratic era was starting to emerge.  Norma moved to the United States in the mid ’80s, and found the opportunity to pursue a new passion: sculpting. 

As a sculptor, learning the techniques, exploring new materials, creating new forms of inhabiting a three-dimensional space, and the importance of light gave her the opportunity to express what would otherwise be impossible to express in a different way.  

In sculpting she found a new language to talk about her thoughts and feeling, where each of her works are an attempt to say something through an abstract language and each of them has the background of her own life.

norma.schwartz@verizon.net

301-762-3696

 

Jody Sachs A&M1

Jody Sachs draws on her love for nature and science, inspired by nature and beauty in the simplest forms.  From leaves and trees, plants and insects to water and underwater life forms, Jody forms silver and gold by hand, transforming them into literally “precious” objects with a particular regard for the interaction of their shapes to make earrings, necklaces and bracelets.

SialorsDesign.com

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