Judith HeartSong A&M1

I have been working as a professional artist for more than thirty years now, after a public school education in which my focus was completely art-centric. As a child I was always out in nature, in the woods and along the creek beds of northern Pennsylvania. I developed a sense of awe and respect for the natural world early on and that devotion has never wavered. My work is often called Romantic Pop.

Special allowances were made in the course of my education to provide art instruction and the time I needed to focus on it. I studied privately with some tremendous artists and worked with every sort of material I could get my hands on to build my knowledge of mediums.

Plants and flowers fascinated me with their lush shapes and wonderful colors, and I was always interested in looking at botanical renderings and nature studies. To me they were often cold and impersonal, and that was not how I saw nature. I became captivated with trying to capture and share the world as I saw it.

Jamea Richmond-Edwards, Lifetime Affiliate

EDUCATION & TRAINING
Howard University- MFA Painting Spring 2012 Jackson State University – School of Liberal Arts Degree: Bachelor of Art in Art; May 2004
 Magna Cum Laude
 
ART RESIDENCIES
 555 Non Profit Gallery and Studios- Detroit, MI. June-August 2012 Art Residency
Tougaloo Art Colony- Tougaloo, MS. July 2003 Art Residency
 
SELECTED EXHIBITIONS
Solo Exhibitions 2017
Athena Shrugged (2) Long/Sharp Gallery New York, NY April 26 – June 17, 2017
2016
 Mosaic Project Pennsylvania College of Art and Design Lancaster, PA August 23-October 30, 2016
Take Me Away The Southern Gallery Charleston, South Carolina
2015
 The Cost of Making Her Run The N’Namdi Center for Contemporary Art Detroit, MI November 6- January 2, 2016
 

From CultureType.com:

“AS A YOUNG GIRL, Jamea Richmond-Edwards got lost in the pages of Ebony magazine. She was particularly drawn to the runway images from the Ebony Fashion Fair show. Through the otherworldly photographs of stunning black models styled in wildly imaginative ensembles, she discovered haute couture and envisioned herself as a fashion designer. Years later, she chose visual art over fashion design, but never gave up on her desire to explore the artifice of dressing.

“Those images were very visually affirming for me. It presented black women in a space that I had never seen before,” Richmond-Edwards told me via email………”

jamearichmondedwards.com

Patricia de Poel Wilberg A&M1

Having traveled extensively, Patricia works in glass, mixed media, and sculpture who skillfully incorporates hand drawn elements into her work.

School of Art at the Cooper Union
University of Southern Maine
High School of Art and Design, NY, NY

Patricia de Poel Wilberg

Cecelia Laurendeau A&M1

At an early age I began to go beyond coloring and ventured into drawing and painting. The moment I uncapped my first tube of oil paint and squeezed out that brilliant buttery hue, I knew I was on a journey of artistic discovery. This natural ability was nurtured by my loving talented parents. They were not only lovers of art, music and the beauty of life, but were artists in their own right.  My Mom a soprano singer, fiber artist and poet, my Dad a builder, stained glass artist and photographer. It was not long before I would put a camera to my eye.

Real life images. The story that nature tells in the stillness of the landscape, the greatness of the ocean and the journey of the seasons. This is what excites my senses as an artist and my photographer’s eye at home and in my travels. Creating compositions in oils and pastels, my inspiration is drawn from my photographs. The creative process for me is re-visiting that place and moment in time. Remembering and feeling the emotion of the scene my lens captured and bringing it to life as a painting to be experienced and shared in a new way.

“Art is not what you see but what you make others see”. . . Edgar Degas

laurendeauart.com

Anita L. Albertson A&M1

What is Art?  To me, art captures something essential about life.

“Art makes life bearable. It isn’t a luxury. Like our capacity for understanding, and our experience of love, it is a vitally important part of life.”
–Gillian Pederson Krag

How does one share the charm and communicate the wonder of living, breathing and being? By using color, pattern, light, texture, style, angles, laughter, beauty, nature, industry, rigor, challenge, and words; then one weaves in the rainbow of emotions and experiences– all of which shine light on the magic and the drudgery of being.

To this point I have played with self-expression and aimed toward connective conversations in the margins of my life and the privacy and intimacy of my own home.  I am largely untrained, although I have had the benefit of some recent classes with some amazing and gifted artists.

Life has stages.  I have supported my children to grow and be and do and supported my husband as he has accomplished and achieved and is recognized for his talents.  I have weathered the declines and deaths of my grandmother, mother-in-law and parents.  These have been both difficult and amazing endeavors — greatly enriching my world and theirs.   Connecting me with all that has been, all that is now, and all that will continue after I cease to be.

Inside me is a calling to express, create, play.  I need to sit, think, write and design, uninterrupted and untethered.   Connecting with others on that path.  Sharing what is in me/what I can with those I know and with people I don’t know yet.  Growing.  Being.  Breathing.  Learning better how to express what needs to get out on paper.

I seek a community to help bridge my untrained enthusiasm into something more – at first for myself, but after a period of time, for and with others.

Working with a combination of mixed media – paper, acrylics, watercolors, pencils, pastels, fabric, yarn, pens and markers – I want explore the emotions and experiences of life.  My intention to start is to learn more about the craft of art by being in community with artists and pair my creations with poems, short stories or prose.

Eventually I would like to share these tools of self-expression with a wider range of children and adults in a relaxed, spontaneous way including those in marginalized communities seeking self-expression and through it, compassionate understanding.

 

Linda Cohen (In Memoriam 2018)

Linda was a treasured member of the A&M family. Her dedication to, and love of her practice, lives on in our hearts.

“I love the creative process of art which has always been a part of my life.  For many years,  I made silver jewelry with an interest in the texture and form of my pieces. About ten years ago I took up plein air painting – there is something so peaceful being outside and painting the moment. I am especially drawn to the elements of water and reflections.  I have taken plein air painting classes with both Glen Kessler, founder of Compass Atelier and Gavin Glakas, with Yellow Barn.  I have been taking portrait and figure painting with Gavin for the last 6 years which has proved especially challenging and rewarding.”

Sue Fierston, Affiliate

I like to work in series and I’m in the midst of white-line woodcuts based on Yosemite National Park, where I’ll have my second arts residency in August 2017.

In painting, it’s an endless, fascinating puzzle to capture the effects of light on a microscope or a flower. Italian Wooden Microscope, seen here, is a watercolor from my solo show of historical microscope paintings on Yupo, a plastic surface, at the National Museum of Health and Medicine. 

My aim was to contrast the precise shapes of the microscope (all those circles) with the unpredictable flow of watercolor on plastic.

As a printmaker, I make images with woodblocks and with a walking press. I also make direct and indirect prints on paper from natural items, such as fish and leaves. I’m a member of the international Nature Printing Society and I’ll be teaching nature printing out of my studio here at Artists & Makers Studios.  

 suefierston.com 
 sue.fierston@gmail.com

 

 

John Dennis Murphey A&M1

Hi!  I’m John Dennis Murphey.  And yes, I’ve started using my middle name, Dennis.  There are just too many other rascals out there with the same moniker.  Note too, there’s an “e” in Murphey, which hopefully will further cement my identity!

Since 2000, I’ve had my own architectural practice called Meditch Murphey Architects.  So when I’m not architecting at my architectural office you can find me working away at my studio at Artists and Makers 2. 

My studio work is focused on the visual arts where I employ a variety of media – watercolor, acrylic, oil, pen, ink and graphite.   At the center of my work is my fascination with light and space, something I’ve also pursued in photography.

Recently I’ve taken photo workshops with Ira Block, Alex Webb, David Allen Harvey, Norman Mauskopf and others at the Santa Fe Photographic Workshop.  This spring I will be a Visiting Artist at the American Academy in Rome, trying to capture some of this great city’s spirit!

So with these three passions of mine, I have these three websites!

MurpheyMarks plays host to my mark-made images.

MurpheyWorks is all about images I’ve pulled through a lens.

Meditch Murphey Architects is a gallery of some of the projects I’ve helped design.

www.murpheymarks.com

www.murpheyworks.com

www.meditchmurphey.com

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